Martin Ward - Composer
He has written music for companies including The Royal Opera House, The English National Ballet, the BBC, ITV, the Hackney Empire, Unicorn Theatre, Polka Theatre, Theatre Royal Plymouth, Belgrade Theatre, the Sofia National Opera and W11 Opera.
He is exclusively published by Faber Music and represented by Berlin Associates
May 2016 : writing the libretto for They Came Back - quite a creative adventure!
April 2016 : Rehearsals and shows of Clocks 1888 : the greener, opening at CAST in Doncaster on April 15th and 16th and then coming to the Hackney Empire in London for four shows from April 20th.
March 2016 : start of rehearsals for Clocks 1888 : the greener a new opera by Brolly Productions.
March 2016 : staging Phil Porter's powerful new play The Man With The Hammer at the Theatre Royal Plymouth. Lovely people and a lovely place.
February 2016 : rehearsing and writing music for The Man With The Hammer. Great time collaborating with director Justin Audibert and fab cast.
November 2015 - February 2016 : composing and orchestrating the score for a new opera Clocks 1888 : the greener with Dominic and Rachana @ Brolly Productions
Martin Ward directly : email@example.com
Berlin Associates (Agents) : firstname.lastname@example.org
Faber Music (Publishers) : email@example.com
Faber Music website : http://www.fabermusic.com/composers/music-for-now/list
"I sat in utter awe of Martin Ward's music which is a dream. The detail within the score is phenomenal and the band are beyond incredible. I would happily listen to the music for the rest of time." for The Wind in the Willows, West End Frame, December 2013
"...a soaring collection of songs, composed by the supremely talented Martin Ward... ***** " for Dr Quimpugh, The Scotsman, August 2012
"...with superb music by Martin Ward and a sparkling libretto by Phil Porter it is a delightfully quirky, humorous and touching piece of musical theatre..." for Dr Quimpugh, Sunday Herald, August 2012
"If you thought that opera was only for grown-ups, think again. This 45-minute, sung-through opera by librettist Phil Porter and composer Martin Ward combines music, singing and puppetry with an engaging, junkshop aesthetic to terrific effect... the piece has genuine emotional muscle, underlined by a score that is musically playful, and which slyly slips in every operatic convention, from arias to trios." for Skitterbang Island, The Guardian, July 2010